The Scarlet-X from RED is an absolute powerhouse camera capable of delivering one of the highest quality images in digital cinema. Its modular and compact size makes it an adaptable tool for any shooting environment, while its REDCODE RAW codec captures images at 4K.

• FRAMERATES: 12FPS @5k, 24FPS @4k, 60FPS & HDRx @2k

Available with Zeiss CP.2 Prime Lens Set (18mm, 21mm, 28mm, 35mm, 50mm, 85mm)

EF lenses: 11-16 f2.8 zoom, 24-105L f4 zoom, 30mm 1.4, 85mm 1.4

The ability to shoot HD video made DSLRs a “killer app” for shooting with a low profile.  Able to fit in tight spots and extreme low light make it a fantastic b-camera, delivering cinematic images with shallow depth of field.  Shoots 1080p h.264 video at 24 or 30 fps, or 720p at 60fps.Available with EF mount Zeiss CP.2 Prime Lens Set (18mm, 21mm, 28mm, 35mm, 50mm, 85mm)EF lenses: 11-16 f2.8 zoom, 24-105L f4 zoom, 30mm 1.4, 85mm 1.4Other accessories: LCDVF loupe, rod/baseplate kit, Chrosziel MB450 2-stage Mattebox, Cinetech Studio Follow Focus, Cartoni Focus fluid head/support, Zoom h4n sound recorder

This camera is my general workhorse for EPK, event, time-lapse, and run-and-gun shooting.  Shoots 1080i and native 720p 4:2:2 DVCProHD with variable frame rates from 2 to 60fps.Other accessories: rod/baseplate kit, Chrosziel MB450 2-stage Mattebox, Cartoni Focus fluid head/support

This lightweight camera can fit in tight spots, be rigged to car exteriors, or mount to a helmet for POV shots while feeding a full 1080p 4:2:0 AVCCAM signal to the handheld HMR10 recorder.  The primary benefit of this kit is the ability to both monitor a live video feed from the POV camera and control iris, focus, and zoom remotely using the recorder and a control device.

A self-containted stunt cam, the fixed-focus fisheye lens on this little guy can mount practically anywhere, including underwater, to deliver 1080p h.264 video at 30fps or 720p video at 60 fps.Other accessories: car mounts, surfboard mounts, mini clamps, modified case for composite live video monitoring.